There’s something about the trailer of ‘The Amateur’ that leads us to expect something that’s thrilling and action-packed; like a glossier cousin of the Bourne franchise. The premise of a genius CIA cryptographer who goes rogue to find the killers of his wife, Sarah (Rachel Brosnahan), on a quest for vengeance gives us ‘John Wick’ vibes but with gadgets and technology. So, it’s kind of jarring to sit in the theater and watch as the film takes an interesting approach by focusing the drama on whether protagonist Charlie Heller (Rami Malek) can bring it upon himself to kill. All the exciting gadget-centered traps seen in the trailer are not really what’s on the spotlight but whether a brilliant and rational computer geek can become a cold-blooded killer.

At the start, the film takes pains to show us how much Charlie is rather insulated from the world. He lives in a beautiful, lavish cottage filled with lush greenery, which tells us he doesn’t live in the city but away from it. His wife, Sarah, travels a lot and is always inviting him to come along but he doesn’t. Always finds an excuse, work-related mostly, it seems. As a CIA codebreaker, Charlie is sent some top-secret files from an anonymous informant that implicates his boss in something politically disastrous but this is pushed aside when he is told that his wife has been killed in a violent event that led to her being taken hostage and then killed.

Consumed by her loss, Charlie uses the secret files to blackmail his bosses to give him field training so that he can chase after his wife’s killers and take vengeance. But his bosses at the CIA are not happy that he has the files and that they are being blackmailed and are also attempting to take him out of the equation.

So, Charlie must get what he needs from the CIA before they take him out while chasing after some cold-blooded killers who are way more experienced than he is.

On paper, it sounds exciting. I bet the book that it’s based on, the 1981 novel by Robert Littell with the same name, is probably exciting. The book being released in 1981, it’s probably a lot more low-fi than this version which uses hi-tech traps for Charlie to exact his vengeance, as guns are not his specialty. As his trainer (Laurence Fishburne) tells him at some point, he uses these elaborate set-ups because he’s afraid to get his hands dirty, which makes an interesting thesis.

Rather than focusing on how Charlie sets up and pulls off his traps, the film takes several digressions to show visions of Sarah intruding into his daily life and memories of her. The film spends a whole hour preparing Charlie to go after his wife’s killers. Throughout this first half, it shows us how brilliant Charlie is but also how pulling a trigger is harder than it looks. Then the next half has his trying to execute his plans and him dealing with the repercussions of his actions. Director James Hawes and screenwriter Ken Nolan and Gary Spinelli give Charlie as much time to unfurl at a club after he makes his first kill. 

It’s these scenes, which paints Charlie as a complex person growing into his new vigilante persona, that slows down the whole film. The dramatic, character-driven parts are not in synch with the aspects of the film that falls under the spy action-thriller tone. It’s not as cohesive as, let’s say, ‘Collateral’ or the dense and cerebral film ‘Tinker Tailor Soldier Spy.’ 

Malek is a ball of nerves as Charlie. He has the same affectations as his character in ‘Mr. Robot’ but he’s allowed to be human here as Charlie is not a sociopath (or is his character in Mr. Robot on the spectrum?). He handles the dramatic parts well and how his character subtly builds his confidence after every strike. The changes are subtle but clear. The ones who steal the show though are Laurence Fishburne’s Henderson and Jon Bernthal’s small role as a spy in the CIA who Charlie has admiration for. As Henderson, Fishburne exudes an “I’ve-seen-it-all” attitude and carries himself with such an air of confidence that it makes Henderson so scary while he’s being warm and nurturing to Charlie. It’s an interesting role that Fishburne knows exactly how to elevate. Bernthal, on the other hand, has two or three scenes but he has a screen presence that fits his role so well and creates a wonderful counterpoint for Charlie. His appearance on the latter half of the film leaves such a great impact as we see Charlie facing off with the person, he admires the most.

While polished and well-crafted, ‘The Amateur’ is a different movie than what it appears to be. As a spy thriller, it short-cuts the things we want to see. As a character-study of a man who is reconciling turning into a vigilante, it does not go deep enough to have anything clear to say about the moral quandary of taking justice into your own hands. It has the makings of a sequel and hopefully, they’ll fine tune the general tone and figure out its identity.

My Rating:

The Amateur is now showing in cinemas! Catch it on the big screen—check showtimes and get your tickets here!